Poesia kaiera
Poesia kaiera
Kamala Das
itzulpena: Joxe Mari Berasategi
2026, poesia
64 orrialde
978-84-19570-67-3
Kamala Das
1934-2009
 
 

 

Nani

 

Nani neskamea haurdun zegoen, eta komunean

urkatu zuen bere burua egun batean. Hiru ordu luzez,

polizia etorri arte, han egon zen zintzilik,

txotxongilo baldar; eta haize boladek

sokan birarazten zutenean, orduan

haur ginenoi iruditzen zitzaigun Nani

dantza komiko bat egiten ari zela, gure

gozamenerako. Zuhaixkak bizkor hazi ziren.

Uda amaitu baino lehen, lili horiek besarkatu

zituzten atondoa eta hormak, eta orduan komuna,

hain abandonatua, aldare bihurtu zen, santutegi

eguzkitsu bat hildako jainkosa batentzat.

Handik urte pare batera, egun batean galdetu

nion amonari: Ez duzu gogoratzen Nani,

putzu ondoan bainatzen ninduen beltzaran

mardoa? Amonak betaurrekoak sudurrean gora

pusatu, so egin eta galdetu zidan: Nani?

Nor da hori? Galdera horrekin bukatu zen Nani.

Beraz, egia oro galdera batekin amaitzen da.

Nahitako gorreria hori da hilkortasuna hilezkortasun

bihurtzen duena, zalantzarik gabea erdi zalantzazko.

Zoriontsuak galderak egin eta erantzunak iritsi

baino lehen aurrera egiten dutenak, alde isil

ubelean bizi diren jakintsuak, zalantzek estutu gabeak,

haiena baita bake gatzatua, bizitzan txertatua

nola musika kukuaren arrautzan,

desira odolean edo izerdia arbolan…

 

Nani

Nani the pregnant maid hanged herself / In the privy one day. For three long hours / Until the police came, she was hanging there, / A clumsy puppet, and when the wind blew / Turning her gently on the rope, it seemed / To us who were children then, that Nani / Was doing, to delight us, a comic / Dance. The shrubs grew fast. Before the summer’s end / The yellow flowers had hugged the doorway / And the walls. The privy, so abandoned, / Became an altar then, a sunny shrine / For a goddess who was dead. Another / Year or two, and I asked my grandmother / One day, don’t you remember Nani, the dark / Plump one who bathed me near the well? Grandmother / Shifted the reading glasses on her nose / And stared at me. Nani, she asked, who is she? / With that question ended Nani. Each truth / Ends thus with a query. It is this designed / Deafness that turns mortality into / Immortality, the definite into / The soft indefinite. They are lucky / Who ask questions and move on before / The answers come, those wise ones who reside / In a blue silent zone, unscratched by doubts / For theirs is the clotted peace embedded / In life, like music in the koel’s egg, / Like the lust in blood, or like the sap in a tree...